Sex Pistols ‎– The Great Rock ‚N‘ Roll Swindle

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God Save The Queen Symphony 4:00
Jimmy B. Goode / Roadrunner 6:20
Written-By [Jimmy B. Goode] – Chuck Berry
Written-By [Roadrunner] – Jonathan Richman

Black Arabs 4:45
Vocals – Black Arabs
Written-By – u.a. Ronnie Biggs

Anarchy In The U. K. 4:00
Substitute 3:05
–
Don’t Give Me No Lip Child 3:30
Written-By – Barry Richards, Jean & Don Thomas
(I’m Not Your) Stepping Stone 3:05
Written-By – Boyce & Hart
L’Anarchie Pour Le U. K. 3:25
Translated By [Trans.] – Louis Brennon
Vocals – Jerzimy

Belsen Was A Gas – Live At San Francisco 2:10
(Einmal Belsen War Vortrefflich)
Belsen Vos A Gassa 2:10
Vocals – Ronnie Biggs
(Einmal Belsen War Wirklich Vortrefflich)
__________

Silly Thing 2:50
My Way 4:05
Arranged By [Arr.] – Simon Jeffes
Written-By – Claude François, Jacques Revaux, Paul Anka

I Wanna Be Me 3:03
Something Else 2:10
Rock Around The Clock 2:00
Vocals – Ten Pole Tudor
Written-By – Jimmy De Knight, Max C. Freedman

Lonely Boy 3:05
No One Is Innocent 3:00
Vocals – Ronnie Biggs
Written-By – u.a. Biggs

–
C’mon Everybody 2:10
Written-By – Eddie Cochran, Jerry Capehart
E. M. I. (Orch.) 3:45
The Great Rock ‚N‘ Roll Swindle 4:30
Written-By – u.a. Ten Pole Tudor
Friggin‘ In The Riggin‘ 3:40
Written-By – Traditional
You Need Hands 2:50
Vocals – Malcolm McLaren
Written-By – Roy Irwin

Who Killed Bambi 3:00
Vocals – Ten Pole Tudor
Written-By – Ten Pole Tudor, Vivienne Westwood

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Artikelnummer: Brainshave 0924 Kategorien: , Schlagwort:

Beschreibung

Sex Pistols ‎– ‎The Great Rock ‚N‘ Roll Swindle

Do-LP – 1979
Land: Germany

Virgin ‎– 300 279-406

Genre: Rock, Pop, Stage & Screen
Stil: Soundtrack, Punk, Parody, Rock & Roll

Zustand des Tonträgers: Mint (M)
Zustand des Covers: Near Mint (NM or M-)
Sieht an den Ecken nicht mehr ganz neu aus.
Neu, nie gespielt.

God Save The Queen Symphony

Anarchy In The UK

L’Anarchie Pour Le U.K.

My Way

Leonard Cohen über Sid Vicious:
„I never liked this song [“My Way”] except when Sid Vicious did it. Sung straight, it somehow deprives the appetite of a certain taste we’d like to have on our lips. When Sid Vicious did it, he provided that other side to the song; the certainty, the self- congratulation, the daily heroism of Sinatra’s version is completely exploded by this desperate, mad, humorous voice. I can’t go round in a raincoat and fedora looking over my life saying I did it my way — well, for 10 minutes in some American bar over a gin and tonic you might be able to get away with it. But Sid Vicious’s rendition takes in everybody; everybody is messed up like that, everybody is the mad hero of his own drama. It explodes the whole culture this self-presentation can take place in, so it completes the song for me.“

E.M.I. (Orch)

Who Killed Bambi

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